Tuesday, January 10, 2012

History of Perspective

The main focus for this assignment is to explore the different techniques of Stereoscopic (3d) Photography. 

This assignment is combined with the research from my dissertation on whether Stereoscopic (3d) photography a viable form of image making.
 
First to understand how artist explored the use of perspectives and how it developed  I will explore the history and the Visual methods of depiction.

History of Perspective and Visual Methods of Depiction



The earliest example of the use of perspective can be seen by looking at Egyptian art.



Egyptian art traditionally shows the human form in profile with one eye and both shoulders shown face on.  Also the figures usually have either two left or right feet with their head turned in the same direction as their legs and arms. By doing this everything looks out of proportion and flat. However, in terms of perspective the Egyptians used what is called a 'Vertical Perspective'.

During the Amarna period this style of art changed. Figures began to have a sense of movement and had raised heads. Many overlapped making it appear crowded and busy. Most important changes around this time were of the feet and hands. Instead of the figures showing either two left of right feet they now began to have left and right. However, faces were still shown in profile.






During the Renaissance, the period of “scientific and cultural re-birth”, scientists and scholars began engaging in different kinds of experiments such as foreshortening and Linear perspectives. This is when the use of foreshortening was developed.

 Foreshortening

Foreshortening refers to how artists create a visual effect to give the impression of depth. They do this by distorting an object or a place making it appear shorter than it actually is. 




Andrea Mantegna's Dead Christ is one of several artist who mastered linear perspective and is a one of the most famous examples of foreshortening.

 Linear Perspective

Linear perspective is a mathematical system that creates the illusion of space and distance on a flat surface. It was first discovered in the 1400s by the artist and architect Filippo Brunelleschi. He suggested a system that explained how shrink in size according to their position and the distance object from the eyes.

Artist began to investigate how to make a 2d image look 3d and started to think of paintings like looking through a window. They came up with a mathematical solution known as Linear Perspective. This helped painters achieve their goal in creating realism.

First they made a horizontal line that runs across the image at the viewer’s eye level. This would be placed where the sky appears to meet the ground. Then the vanishing point would then be placed located near the centre of the horizon line. The vanishing point is where all parallel lines that run towards the horizon meet. For example like looking down a train track and into the distance. It is also known as Orthogonal lines which are visual rays that help lead the viewer eyes to the connection points around the edgesof a canvas.


During the renaissance one point perspective was used extensively by Leonardo Da Vinci. Da Vinci Last Supper is a good example of how he used one-point perspective effectively. The vanishing point is right on Christ head. This emphasizes Jesus as the main focal point. He uses the edges along the walls to lead the viewer all off which point to Christ’s head.

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